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Johnathan Scott at the console in 2001 |
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The 1990 re-opening concert. Note the Phase 1 Swell box in the lower position. |
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Frederic Blanc at the console. |
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The Console in March 2005 |
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Ian Tracey at the console |
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Solo section, prior to the addition of the cross-bracing members currently present. |
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A later recital, after the work in 1993-5 |
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The boot of bottom D and C of the 32ft reed, showing the Willis starter-motor. |
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The longest pipe currently in the organ, bottom C of the 32ft reed. This pipe
survived from the 1929 instrument and can be contrasted with D, behind it, which
was remade. |
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View of the Pedal soundboard from the front of the gallery.
From front to back: Super Octave 4', Principal 8', Trombone 16', Bombarde 32'.
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View of the trebles of the Trombone 16' and Bombarde 32'. |
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View of the pedal soundboard looking towards the front of the gallery. |
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The back soundboard of the Choir. Note the empty holes for the Cor Anglais
(2nd from front) and the Contra Viola (back) |
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The front soundboard of the Choir. |
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The Great organ soundboard. At present only one of the three
is installed. From back to front: Flute Couverte 4', Octave II 4', Octave I 4',
Clarabella 8', Open Diapaon I 8', Open Diapason II 8', Quint 5 1/3',
Twelfth 2 2/3', Super Octave 2', Mixture III |
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View beyond the right side of the Great toward the 32ft basses. |
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Some magnets from the Great. |
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The Swell soundboard. As with the Great, this is one of three to install.
The Clarion and Cornopean are at the front. |
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The Swell Clarion. |
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The other side of the soundboard. |
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The door of the swell box looking beyond to the Hall far below. |
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The rarely-seen Solo soundboard, photographed here from the inside of the
Swell box looking through the shutters. Note the comparison with
this picture from the 1929 instrument |
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Looking up from Gallery level towards the Solo, showing the cross-bracing members
added as a result of the structural engineer's report referred to elsewhere
in this website.
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Looking up from Gallery level towards the Solo, showing the cross-bracing members
added as a result of the structural engineer's report referred to elsewhere
in this website.
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On the Solo level, looking up towards the highest pipes in the organ, the
Solo Contra Tromba 16'.
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The unenclosed Solo soundboard, looking back towards the Swell.
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Unenclosed Solo, showing the Diapason trebles of the Tuba 8' and 4'.
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Solo unenclosed soundboard.
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The transformer-rectifier and action.
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This "Whiffle tree" swell engine drives the left bank of Swell shutters. The
right bank also have their own engine. Two engines running in parallel
drive the single bank of Choir shutters.
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The frontal aspect of the organ, looking up from the right side of the console.
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The Swell box sits on top of the Choir box.
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The old meets the new. A new section of pipe has replaced a very badly damaged
section of a pipe in the Pedal Organ.
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The contemporary view from the Great passageboards out into The Hall. See here for a similar picture from 1929. |
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The blowers, housed in a seperate plant room behind the Organ. From closest to furthest away: Heavy pressure booster, Light pressure, Heavy pressure primary. Top: heavy pressure regulator. |
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The bells of the some of the 32' bases showing the tuning scrolls. |
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Choir Organ, back soundboard, showing empty Cor Anglais holes. |
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Choir Organ, front soundboard. |
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Choir organ, C# side. |
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One of the many enchanting voices on the Organ, the Clarabella 8' on the Great. |
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Frontal view of the organ. |
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Frontal view of the organ. |
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Great Organ. |
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Great Organ, after recent cleaning. |
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Great Organ. |
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Great Organ primary action. Note the unusual action sliders. |
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Great Winding system, two small regulators per side feeding via flexible bags. |
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Side view. Note staircase to Swell. |
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Switching unit for organ action and the three blowers. |
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Contra Viola pipes awaiting restoration. |
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Contra Viola pipes awaiting restoration. |
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Contra Viola pipes awaiting restoration. |